By Lawrence L’Amour
Marriage has changed a lot since my wife and I walked into a River North church on a Friday nearly fifteen years ago. It’s a few years before 9/11. We’ve been waiting four years for this day, and it feels like we’ve done everything right. Planned perfectly. My family is here from Indiana, hers from Michigan, even the elderly ones we’re surprised are willing to travel, especially to the city. Tons of friends. It’s sort of a party. And it’s all for them, really. Admirers point to the brocade work on her dress, elaborate but plain. “We deserve this,” Marla says, smiling. Proud. My mother is here, fascinated with taking pictures of the weeping, bleeding Saints flanking the nave in rows between the stained-glass windows of the Assumption. In one of them, Saint Frances Xavier Cabrini—the first American saint, who lived and worked in Chicago, and after whom the eponymous (and infamous) housing projects were named—is shown landing in New York. Marla’s parents are here too, trying to keep out of the way, beaming and apple-cheeked. I nod at her mother, for whom I mainly agreed to a Roman-Catholic wedding. I’m more or less atheist, but Marla requested it out of respect for her mother’s deeply-felt devotion to the church. Afterward, we’ll go get stoned with our friends, drink too much, collapse on the bed, order pizza and watch old black-and-white movies, too exhausted for any wedding-night consummation. It isn’t important. We’ve always agreed on this, that there’s something more important than the fallen reality we’re forced to inhabit, with its continual suffering and loss. Our love for each other transcends it, stands for something greater, something transformational. I look over at her as we walk up the steps, and we share fleeting smiles. Her salmon-colored lips pull back over white teeth, the light at pinpoints in her eyes as they turn from me to our red-frocked priest, who beckons us down with a slow, calm motion of his hand. It’s our secret, this shadow of a smile as we kneel before God. Read the rest of this entry »
Illustration: Tony Fitzpatrick
By Tony Fitzpatrick
Love is a slippery fish. People perish every day for want of it, or a pantomime of it, as if they were on fire. Nothing has been lamented more than lost love, love gone wrong, or the making or unmaking of the human heart. It is written about ad nauseam in every annoying love song, each one being “someone’s song.” Makes you want to blow chunks. When your friends fall in love, they are disgusting—the cooing, the walking around with a simpleton look on their face, the spring in their step, the flush in their cheeks, the chipper-ass good mood they are always in. You want to slap the shit out of them.
You want to tell them: In a year, Bunky? She’s going to hate you! All of the witty repartee she giggles at girlishly now are the anecdotes she’ll be rolling her eyes at in a scant eight months. The lingerie? A year from now she’ll be washing the windows with it.
She’ll make sure you know, in no uncertain terms, what an annoying asshole you are, how disgusting your habits are, how you snore and fart and smell like a zoo animal, and how all of your friends are mentally deficient as well. Read the rest of this entry »
Rose Laws with friends.
By Harrison Smith
Rose Laws stands five-feet four-inches, with red hair, glasses and a strong Southern accent she’s retained from a childhood in Tennessee. She once had thirty-six-triple-D breasts, which she lost purposely because they were too big, and a tiny waist, which she lost with age because that’s how things go. She looks and talks like a grandmother, is gracious and warm like the best grandmothers, and at age seventy-seven is, not surprisingly, a grandmother.
Tonight she is without her grandchildren, though two of her sons are with her at the Everleigh Social Club on West Randolph. The club is pretty empty this early in the evening, and most of the people who are there—just about all of whom are friends or family of Rose—are sipping the night’s signature drink, a “Gold Coast Madam” cocktail mixed specially for the occasion. Read the rest of this entry »
By Jenny Yoon
I woke up freezing, groggy and very naked.
I had no idea where I was. The most I knew was that I was under a thin, blue sheet—like Michael Fassbender’s character was in the opening scene of “Shame”—only without the sex addiction. The self-loathing was there, however.
Wiping at my watery eyes, I turned my head to regard the figure next to me. Face in the pillow, a mass of dark curls, an errant arm placed in such a way that I saw one closed eye, sooty lashes against ashen skin. It took me too long to recognize the guy lying next to me. Read the rest of this entry »
By Lawrence L’Amour and Cinnamon Smidge
“Sex and Violence go together like Bacon and Eggs.” –David Cronenberg
Nothing terrifies people more than male sexuality, especially violent male sexuality. “Fuck off,” I whisper to my own fear and shame as I push open the door to a privately owned downtown loft. It’s midnight on a Saturday four years ago. The place is packed. Smells like wet hair and fresh leather. Cigarette fog. Long dark halls and even darker corners. Shadows move, sniffing each other. Slags and slag hags, both male and female, people decked out in leather fashion, gay and straight mingling. Then, as today, this party is the go-to party for deviants. Women stuffed into rubber dresses, leather vests hanging off men’s bare chests. Racks strewn with whips, floggers, cuffs, gags and blunt striking tools line the walls. I unhook a short wood bat, feeling its heft in my fist, and imagine slamming a partner in the stomach and thighs with it. I pass sex furniture made of wood, well-secured mounts in the walls. BYO alcohol is allowed (recently limited), and people are swilling it down, shuffling past, beers and the occasional highball glass in hand.
Read the rest of this entry »
Illustration: Beryl Chung
By Michael Workman
Breaking up is hard to do. It’s made even harder when it happens in the grip of a new social reality. I’m sitting on a window barstool at Café Selmarie on the Lincoln Square strip, where I’ve been summoned via text message through a flash downpour for the bad news, and I’m totally blindsided. How did this happen? It’s absurd, something out of an episode of “Bored to Death”: just three days earlier we were lying in bed discussing plans for a friend’s wedding two months out. I rotate my gaze floor to the ceiling. What did I miss? Everything slows down, then pauses a beat. My clothes are dripping wet, and I’m sitting with (let’s call her) Ramona, who I met through an online dating site called OkCupid. It’s a service I’ve been on for nearly two years now, since my wife and I split up (amicably) and after hundreds of therapy sessions, when I found myself confronted with a dating scene that has changed pretty radically. Read the rest of this entry »
By Scoop Jackson
It’s Year 103 of the Drought and by the initial look of things, nothing’s changed. It’s cold, raining, damp, wind blowing… perfect baseball weather for opening day on the North Side. Baseball’s “other” worst team has come to visit, but the place is still packed.
Like Carnival off the Lake.
For the fairweathered, non-diehard, quasi-apathetic Cubs fan, this is simply the best time of the year. It’s when Wrigley Field turns into the Playboy Mansion East. When some of the most beautiful women this side of South America—or LA, depending on who’s asking and who’s telling the stories—migrate to one place for the next five months, treating the national pastime like Fast Times at Cooley High.
When everyone gets to enjoy Wrigley Field for the “second best” thing it is known for: Welcome to the best pickup venue in sports. Period.
Read the rest of this entry »
Miss Indigo Blue/Photo: Kriss Abigail
“Let’s be fabulous and fantastic,” announces Cyon Flare, host of the Windy City Burlesque Fest’s opening-night party. “And remember your burlesque etiquette: laugh, clap, scream and yell. Tell ‘em to take it off if you like what you see. And if you don’t—be respectful and shut the fuck up.” The St. Patrick’s Day crowd at Hydrate in Lakeview does exactly as instructed as dancers take the stage to tantalize and give a glimpse of what to expect throughout the festival.
The Burlesque Fest, at the Greenhouse Theater over the weekend, is produced by two Chicago troupes: Belmont Burlesque Revue and Vaudezilla. These local ensembles share a passion for paying homage to “old school” burlesque, as described by Jack Midnight, executive producer of Belmont Burlesque Revue and host of the festival. “Chicago has always been a big Burlesque town,” Midnight explains. He describes Chicago as “the birthplace of American burlesque and home to its biggest scandals.” Most notorious is Sally Rand’s “fan dance” at the 1933 Chicago World’s Fair where she was publicly filmed and photographed dancing in the nude but hidden behind long white ostrich feathers, epitomizing the burlesque tease and causing a national rustle with her risqué technique. Not surprisingly, the art of burlesque has changed in the last eighty years, but it still holds true to certain conventions: choreographing clever ways to take one’s clothes off in front of a live audience without baring it all. Read the rest of this entry »
Seeking respite from winter’s deep freeze, you’ve journeyed on the Red and Orange Lines and the #62 bus to the Garfield Ridge neighborhood west of Midway Airport. At 7050 West Archer, it looms like a beacon in the night: the fifty-foot-high neon sign for the Rainbow Motel/Pink Palace (773-229-0707, rainbowpinkpalace.com).
With its whimsically-themed Jacuzzi rooms, this seventies-era honeymoon hideaway is Chicago’s answer to Japan’s quirky love hotels, a fanciful venue for liaisons licit or otherwise. Or, as the Rainbow’s brochure says, “It’s a year-round paradise and a dream fantasy vacation. A couple’s place to get re-acquainted with the one you love, celebrate life with the one you married or begin a new, exciting relationship.”
The eleven fantasy suites are available for four- and six-hour visits as well as overnight stays. The “Hawaiian Waters” room includes an octagonal waterbed and tiki décor; “Space Walk” has a bed shaped like a lunar lander, surrounded by stars, planets and “friendly spaceships”; “Out to Lunch” features a bed shaped like a giant BLT.
The Rainbow doesn’t take reservations over the phone and when you arrive most of the wackier suites are booked, so you opt for the relatively traditional “Valentine” room. The stoic female receptionist, a recent transplant from Lithuania, hands you a complimentary bottle of cheap spumante wine and shows you to your comfy, if slightly dingy, accommodations. Read the rest of this entry »
“STEP HIGH STOOP LOW LEAVE YOUR DIGNITY OUTSIDE.” That was the sign posted outside Chicago’s legendary “Dil Pickle Club,” a Bohemian club/speakeasy/cabaret/theater that played host to various radicals, artists, anarchists, authors and socialites throughout the twenties. It was a place for self-styled free thinkers and sexual libertines, one of the few public places in the city where it was okay to be openly homosexual. And while the original club faded into memory in the mid-thirties, its message of political and sexual expression and spirit of meeting high culture with lowbrow is gaining resurgence some ninety years later.
“It was a place where you had hobos next to housewives,” says Fred Sasaki, one of the co-founders of the revived Dil Pickle. “You had doctors and lawyers mingling with tramps and prostitutes.”
The fifth installment of this incarnation of the group, entitled “LOVE/DEATH,” takes place February 10 at The Hideout (1354 West Wabansia). More than just a simple art event, the evening promises live music (with the band weaving in and around the crowd, not on stage), a tattoo artist giving out temps, a Day of the Dead shrine complete with group ritual, a St. Valentine’s Day Massacre-themed photo booth, talks on both serial killers and Precious Moments figurines, and algorithm-aided matchmaking. Read the rest of this entry »