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Sex School: The Burlington offers everything you’ve ever wanted to know

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strike-a-poseWhere can you find six women in one room who would happily don a strap-on and take on a guy? Or a bar full of men who shout out the maximum distance they’ve managed to shoot a load?

Logan Square bar The Burlington is home to the monthly Sunday Night Sex Show, where creators and hosts Allen Makere and Robyn Pennacchia infuse your mind, libido and sense of humor with any and all things sex-related. Read the rest of this entry »

Sex on Display

Events, Love & Sex, News etc., Wicker Park No Comments »

At Wicker Park’s Debonair Social Club, Wednesday nights have become a “weekly sex-capade,” featuring live performances by local entertainers ranging from burlesque performers like Red Hot Annie to Elvis impersonators. Titled the “No-Tell Motel,” it’s slated to be raunchy and rowdy, causing a stir right from its inception. “We’ve had some burlesque events at Debonair over the last year with a couple of different companies and have always had a really good response,” says operating partner and Debonair owner Steve Harris. “It seems the clientele likes it because it’s different and new and not just another DJ. We’re trying to pick points of bringing in new fun things to Debonair.” And where’s the inspiration behind the “No-Tell Motel”? “We wanted it to be sexy and kind of provocative and have hidden meanings,” Harris says. “We wanted to make it a little bit clever and fun and just keep people on their toes. We try to put a twist on everything we do at Debonair.”

Blood Bath: Cobra Lounge welcomes a little sin

Events, Love & Sex, West Loop No Comments »

toolFriday the 13th and the small stage in the back of Cobra Lounge is decorated with adorable pink hearts of various sizes. A closer look reveals the red-inked words written across the hearts: “Your mom has a really pretty mouth. Sorry about the crabs. It ain’t gonna suck itself…”

The Sinstress Sideshow is hosted by the oh-so-beautiful Miss Maya Sinstress, who is endowed with the kind of large yet amazingly perky breasts romance novelists make millions fictionalizing. Throughout the night, Miss Maya and her girls continue twisting fantasy into a frighteningly sexy reality.

There’s the classic Bettie Page-alike, who shimmies around stage in slow motion. A duo performance depicting date rape is a huge crowd favorite, though it’s Miss Maya herself, sashaying across the stage with large feathers skewered through various parts of her flesh that leaves mouths agape. Hard to believe how sexy removing blood-stained spiked feathers can be.

But pasties, corsets and mini petticoats just can’t compare to the Reverend B. Dangerous. Wearing smeared greasepaint all over his face (think the late Heath Ledger in “Dark Knight,” but dirtier), and a tattered ringleader jacket, the Reverend immediately brings to mind a Pentecostal Snake Handler. Now subtract the snakes, add sharpened nails, power tools and a staple gun and you have yourself one crazy Southern boy.

The show begins with him stabbing a screwdriver into his right nostril. Ouch doesn’t even begin to describe the moment he takes a handheld power drill and drills into the center of his nose. A mix of awe and nausea flows over the audience when Rev. Dangerous pounds two nails into his face with a hammer.

He invites guest assistants from the audience up on to the stage. Several cringe and flat-out refuse, including a man well over six-feet tall and weighing a good 400, maybe 500 pounds. But the brave ones go up and join him. They staple his shirt to his biceps, and stand on the back of his head, forcing his face into a pile of broken glass.

Surprisingly, blood doesn’t spurt everywhere. It gushes a bit, drips a lot and causes thick globs to form on his self-promoting tank top. When he removes the hole-ridden shirt, thick nipple rings hang from his man-boobs. Naturally, Rev. Dangerous takes a metal chain, attaches it to a metal briefcase, and clips the opposite ends of the chain to each nipple ring. The Reverend straightens his back and swings the briefcase round and round.

But even this isn’t as bad as the heavy video camera he has tied to a bungee cord. Piercing his tongue with the sharpened hook of the cord, and ignoring the blood that fills his mouth and stains his teeth, he lifts the camera a few inches off the ground, and swings that round and round.

“This ain’t any of that Criss Angel bullshit up in here,” the Reverend reminds. “That motherfucker can suck a cock.” (Khaveri Campbell)

Love & Sex: First Date

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Photo by Evan Sears

Photo by Evan Sears

By Sharon Hoyer

In 1995, the age of consent in Michigan was 17. I learned this when I went to my job waiting tables at Thomas’ Family Dining on the first day of April of that year, and was met with a trio of sidelong glances and mock-enthusiastic birthday greetings from behind the line, along with one half-serious inquiry as to my plans for the evening.

To date, the bulk of my practical sex education had come unsolicited from Roxanne, a colleague at the restaurant—the most popular with customers for her flirtatiousness and bawdy humor—who volunteered reports on her scandalous escapades with Jason, one of the line cooks. Roxy’s graphic tales of quasi-public fellatio and odes to Jason’s masculine endowment threw unwelcome technical illustrations into my soft-focus fantasies of deep, reclining kisses with an anonymous figure—Golden Age of Hollywood scenes that grew blurrier as passions heightened and three-piece suits melted away. In truth, the image of foul-mouthed, full-figured Roxy in flagrante delicto with the unremarkable young man behind the broaster did little to spoil my conception of sex. Anyway, Jason was coarse, brutish and as dim as the bulk of my male classmates. It was Chris who kept me looking forward to pouring sodas and assembling breadbaskets for the elderly of Livonia. Tall and slim, shy, with dark hair already retreating a bit at the temples (like Cary Grant or any sophisticated man suffering from an excess of testosterone), a few curls of chest hair visible at the neck of his tee shirt, Chris was the only other line cook in his twenties who hadn’t done time. At least that I knew of. Our fleeting exchanges through the pickup window, about toast or the temperature of fries, were hampered by my downcast gazes and nervous watch-twiddling; the crystalline moments when he left the kitchen to fill his glass at the chocolate-milk dispenser had me walking into corners for a half-hour afterward.

Chris asked me out two weeks after my birthday and three days after a phone conversation—monologue, more accurately—in which I mourned, between sobs, my own inevitable loveless, virginal death. Yet like an act of God, on my next shift, Chris walked out of the kitchen as I was folding my apron and inquired if I was free over the weekend. I was. We exchanged numbers and about six hours later I realized that I had been asked, with no detectable sarcasm, on a genuine date by a man. A man I’d harbored a debilitating crush on for months. A man who developed a five o’clock shadow each day around five o’clock.

The possibilities of the universe yawned before me; if this incredible person were interested in spending recreational time with me, there was hope that I might taste a kiss before withering into half-mad crone. But that entailed a date. What happens on a first date? None of Roxy’s crude, utilitarian encounters certainly, but still, this was an older guy; how much older I wasn’t sure…old enough to bet on horses at the Northville Downs, old enough to legally order a beer at the windowless bar on the far end of Thomas’ parking lot. Did he know he had made plans to attend the Michigan State Fair with a high-school senior, an awkward child-woman—hungry, yes, hungry for five years now—but who hadn’t so much as thumb-wrestled with a member of the opposite sex?

Perched in the passenger seat of his pickup, painfully aware of every cell, I hid behind questions. It was easy to do; this powerful, relaxed human being was a mystery. Little splotches of detail appeared as we chatted, driving aimlessly, lost in the web of freeways that form the skeleton of Detroit. He was a farm boy from Ohio, never went to college. Wanted to deal cards in Las Vegas someday. Devotee of the Beatles, Billy Joel and a band I’d heard of in passing: Dave Matthews. On our fourth lap across the downtown stretch of I94, we pulled off the interstate to ask directions to Woodward Avenue. He locked the doors and I waited in the truck, mortified at my ignorance of this city I took fierce, underdog pride in. The gas station clerk was no help, but a passerby offered to divulge the whereabouts of Detroit’s central artery for a small fee. We found the fairground minutes later—a massive, shapeless expanse of lawn facing a cemetery that extended to the horizon.

I remember my limbs working jerkily as I lurched across the grass beside him like a newborn calf, the left side of my body tingling at his proximity. I was aware of his breath as we leaned over the rope guarding a life-sized cow sculpture carved from a solid block of butter. On the midway, a silver-tongued huckster held him captive for at least twenty minutes, tossing darts at balloons taped to a pegboard—the exchange rate of darts and dollars that passed in a steady stream across the table never quite clear—for a plastic-framed mirror, painted with a portrait of Elvis. Too polite to disentangle himself from the encounter and too timid to refuse the prize, he took the garish object in his left hand, my hand in his right and we spent the next half hour trying to pass the painting off to unattended children dashing between rides.

The palm of his hand was strong and warm. His fingers interlaced with mine, their blunt tips reaching halfway up the back of my hand. I felt the fragile skin between each digit. The thick pads at the base of our thumbs and the heels of our hands pressed firmly together, creating a hot cave between our palms. My pinkie finger curled around his outermost knuckle; his thumb embraced the root of mine in a gesture so comforting I would not experience its like until the first time I drifted into sleep laying on my side, a bare arm draped over mine, a lover enclosing my back like a shadow.

The clasp may have lasted only a few minutes. I broke it, masking my fear by taking Elvis from his grasp and propping him against the driver’s side door of a red model sedan on arbitrary display. We sat on a bench in the vacant bandshell as the light faded. He was quiet by nature, but the conversation flowed easily, the silences brief and not uncomfortable. He drove me home a few hours later, turned off the headlights as we pulled into the driveway, shut off the engine and walked me to the house. A soft glow escaped from the living room, illuminating the glass panel in the front door. I stood looking up at him, my back to the house. He thanked me, strangely, leaned forward and gave me a hug. He returned to his truck, waiting to switch on the headlights until he’d cleared the driveway, and drove off.

There was one more date with Chris—dinner, a movie—unremarkable, pleasant. We parted that evening same way, the same hug. The shifts we shared at the diner after that were warm, affable, but each time I called his house the phone rang until I hung up.

Love & Sex: Get My Drift

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By Andy Seifert

“Lookin’ fine!” my buddy Mike once said to me. We were both 10 years old, and he had delivered this message in the form of a card, with a heart drawn around “Lookin’ fine!” And there was a person on the card who was delivering this message for my good buddy Mike: Michael Jordan, circa 1987. At the time, I thought nothing of it (except perhaps, “Dude, it’s MJ!”). Fourteen years later, I wonder, “Did Mike really think I was lookin’ fine?”

Fourth grade is an awkward time in a kid’s life. Back in second grade, “cooties” was still a major biological threat to the boys, a possible epidemic that threatened the fabric of schoolyard codes. If you developed a crush on a girl, you were a goner, man; zombies had more willpower than you. By fifth grade, a mere three years later, the story had completely changed: “Boys, you may have noticed some special changes with your body,” our teachers said, to which most of us thought, “Oh man, finally—superpowers!” And that blended seamlessly into the seventh grade full-blown sex-education course, when a dusty slide show from the early 1970s explained how we would eventually lose our virginity.

But fourth grade just sort of exists; it’s that limbo period between being oblivious to everything and inevitably accepting sexuality. The opposite sex may not be repulsive anymore, but there’s still mystery involved. There’s still a missing link, and until it’s revealed, relationships and romance are weird and undefined. Fourth grade is a void that needs to be filled. So what do we do? We construct goofy boxes and give each other cards.

The other day I found my box. It was called “The Lovecar,” a product of my NASCAR phase, an assembly of poster board and construction paper (that my dad made). The Lovecar features a hood that cleverly opens for maximum Valentine-stuffage, and is endearingly adorn with crudely drawn hearts. It also insinuates that love is sponsored by Citgo.

To my surprise, the Valentine cards that my classmates had tossed in fourteen years ago were still under the hood, a glorious pile of awkwardness, meaninglessness and John Elway references. They were a blast. When I read them, I did so within the context of knowing that a Disney or Hallmark executive had, in a very brilliant yet twisted way, somehow convinced millions of confused youngsters to give each other notes that vaguely announced their romantic intentions to one another. To those that refuse to believe Valentine’s Day isn’t at least partially an artificially construed corporate holiday, consider what my 10-year-old peers were telling me:

1. “Be mine?” told through the “Teenage Mutant Ninja Turtles”’ mentor Splinter, who’s inexplicably holding a heart and dreaming of a relationship with April O’Neil. As a “TMNT” fan, this offends me on so many different levels.

2. “You give me a lift!” (Michael Jordan) and “Go for the fun!” (Buffalo Bills quarterback Jim Kelly), two of a myriad of sports-themed cards, mostly from boys, who figured they could salvage their masculinity by simultaneously reinforcing their love for athletes. And, also, “Go for the fun!” does not make any semantic sense whatsoever. It’s like having Superman say, “Up, up… and a-fun!”

3. “I’ve fallen for you!” which usually means “I’ve fallen in love with you,” unless, in this case, it’s delivered by the “DuckTales” Launchpad McQuack.

4. “Don’t be shy…be my valentine!” told through Belle from “Beauty and the Beast.” This was given by a girl who I suspect had a little crush on me, so that may actually be an honest message. As I recall, we realized it was beneficial to save the most suggestive cards for the targets of our romantic hunches.

5. “You’ve set my heart soaring, Valentine!” told by the main characters of “Aladdin.” This came from Adam, a kid who I never talked to (and never have since), and who even signed it “love, ADAM.”

6. “Don’t break my heart” told by Batman, who is swinging, feet-first through a huge heart. I suppose the Batman is trying to say, “There’s nothing on this utility belt to mend a wounded heart…I’m really just a sensitive guy.”

In retrospect, it’s difficult to answer why in the world we were forced to say these things to one another. It’s all innocent, of course, and it’s also relatively ambiguous and docile (there’s no such thing as a Valentine’s card of, for example, Dan Marino saying “I wanna sex you up”), but why make a bunch of kids toss around symbols of love and romance at such an early age? It’s mindless, crazy and absurd. Then again, so are at least ninety percent of relationships.

Maybe our teachers knew what was coming.

Love & Sex: Full Tank of Gas

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By David Witter

On this year Valentine’s Day approximately coincided with the Chinese New Year’s celebration in Chinatown. Proud to show off my urban savvy to a girl from Northbrook, our date was set: watch the Chinese New Year’s Parade along Wentworth Avenue, have a great meal in Chinatown and go see a movie.

The parade was spectacular. Dragons, floats and a cavalcade of firecrackers left a trail of shredded paper that blew over the half-melted snow like tumbleweed. We ventured into a rundown storefront restaurant where old Chinese men smoked unfiltered cigarettes, drank coffee and played a Chinese form of dominos. She was a film student at Columbia College, and I knew she would be impressed by the urban scene. It was sure a lot more “real” than the Fuddruckers in Highland Park.

I gathered my limited funds to order a grand meal: a large order of egg fu young, large pork fried rice, Chinese barbeque ribs, moo shu pork and egg rolls. The egg rolls came first and we dispatched them quickly. I thought nothing of it and as the three giant platters heaping with egg fu young patties, pork fried rice and ribs arrived, and went into the bathroom. I took my time washing my hands and grooming myself, hoping that the food and Valentine’s Day aura would pay dividends later. But when I returned I saw the first crack in my plan. Before I left there were six egg fu young patties. One and one-half remained. The ribs lay in a jagged pile of bones, like something out of “The Flintstones.” There was a small serving of fried rice left out of what once had been a heaping platter. Jesus Christ, I was gone for five minutes tops. Did she inhale it?

We ventured in to see a revival of “Pulp Fiction.” Think she was done eating? Hell no. The first thing she got was a barrel of popcorn. As the movie went on, I heard the persistent, “munch, munch, munch” and the ice-rattling, dry-slurping sound from a drained pop. As a film student, I thought she was sophisticated, but I’d guessed wrong. Throughout the movie she would yell out the obvious punch lines and plot twists, usually about five minutes late.

“Oh, the Zed guy is gay! Bruce Willis better watch his ass.” Or, “If Marcellus finds out John Travolta is with his girlfriend, he’s in big trouble.” But the embarrassment was only starting. First, it was belching. Long, loud burps, like the kind 12-year-old boys do to impress their friends. OK, that’s what happens when you gobble food. It serves her right. Then came the <I>other</I> gas.

I detected a slight odor. Maybe the popcorn? Then she began to emit long forays of flatulence—farts that would go on for seconds, emitting sounds like an off-key trumpeter. At first, it was nasty stares from people around us, like the familiar, “sniff, sniff, sniff” followed by giggles. A couple of people began to stir. Then a loud voice blurted out, “Some motherfucker’s blowing farts.”

The film ended, but as she entered my Toyota Corolla wagon, the fart symphony continued. Four hours ago, it seemed like a perfect situation for a conquest, but now all I wanted to do was get her out of the car. Finally, she acknowledged her plight, mumbling something about the stomach flu. I would have felt bad for her but she was the one who turned her fork into a steamshovel.

As I dropped her off, she said something about calling me. I had been dumped before but couldn’t help thinking, “God, I am finally rid of her.” But the nightmare wasn’t over. When I started the car the next day, the odor was embroidered into the upholstery. I took my mom’s dog for a ride and the Golden Retriever furiously dug into the seat, thinking there was some kind of food buried beneath the vinyl. A pine-tree shaped cardboard thing hanging from the mirror seemed to mask it, but only temporarily. On a surprisingly warm seventy-five-degree day in March a couple weeks later, it returned. My roommate entered the car and began the familiar, nostrils flared, nose in the air, “sniff, sniff, sniff.” He looked at me and asked, “Hey Witter, where’s the pizza?”

That was probably my worst Valentines Day. My best? A few years later my girlfriend and I decided to get married in a spontaneous ceremony at City Hall on Valentine’s Day. It was just us, no family or friends. Afterwards we walked to Navy Pier and rode the Ferris Wheel, our first act as man and wife. Since then we have lived happily ever after.

Love & Sex: The Tracks of My Tears

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Photo by Evan Sears

Photo by Evan Sears

By Sarah Klose

Cupid fires an electric arrow into your soul. A tornado of endorphins whips through your heart, and you realize the Barenaked Ladies were right: the object of your desire can be your Yoko Ono.

You embark on a grand love affair with your beloved, who agrees that you are perfect for each other. Your world explodes in a kaleidoscope of scarlet, fuchsia, magenta and ruby. You blast the Rolling Stones’ “She’s Like a Rainbow,” Liz Phair’s “Supernova” and Wilco’s “I’m Always in Love” from your iPod. You sing along to these songs at bus stops. You assign the qualities of Einstein, Adonis and Valentino to your beloved. Your angel is as dazzling as Marilyn Monroe, Satchel Paige, Cleopatra and King Tut rolled into one. Amazingly, he or she feels the same way about you.

Eventually, you notice a decrease in phone calls, emails and text messages from your one-and-only. This cannot be happening, you think. The Turtles song “Happy Together” was about the two of you. Elvis dedicated “Love Me Tender” to you both (or he would have if you had been dating back then). Still, as Stevie Ray Vaughn lamented, you get a real, real bad feeling your baby doesn’t love you anymore. Shortly thereafter, your sweetheart tells you goodbye.

Crushed, you realize that your baby no longer sees you as his or her Yoko Ono. You sob to Kasey Chamber’s “Not Pretty Enough.” You listen to The Allman Brothers’ “Whipping Post” fifty-nine times—one time for each week you were together. You clean your apartment twenty times and trash the love letters from the one who was perfect for you. You stumble out of CVS or Starbucks watery-eyed if you hear Linda Ronstadt’s “Heart Like a Wheel” (which becomes “Heart Like a Heel”) or Oasis’ “Wonderwall” (which feels like “Wonderwail”).

If “Morning Song” by Jewel used to be your song as a couple, you refuse to listen to it because waking up with Simba instead of your beloved turns it into “Mourning Song.” If “Your Body is a Wonderland” comes on the car radio, you immediately change the station, because you cannot handle the idea of anyone on this Earth making love while you suffer. However, you are able to dance to “Dead Flowers” when you see The Redwalls in concert, because that Stones song describes your life better now than the one about the rainbow.

You know better than to listen to Norah Jones or Lucinda Williams, so you try downloading songs that burst with power and strength. If you are a woman, this includes “Better Be Good to Me” by Tina Turner, “Single Ladies” by Beyonce, “Beautiful” by Christina Aguilera and “Respect Yourself” by Madonna. You even add the cliché emancipation anthems “I Will Survive” by Gloria Gaynor and “Sisters Are Doing it for Themselves” by Annie Lennox and Aretha Franklin.

You purposefully avoid “Nothing Compares 2 U,” “Everybody Hurts” and “I Will Remember You.” You can’t watch diamond-ring commercials. Even Billy Idol’s “White Wedding” makes you tear up. Your rainbow world has been painted black, so you crank up “You Oughta Know.” It is good to know that you are better off than Alanis Morissette. At least your ex-boyfriend didn’t dump you and quickly marry Scarlett Johansson.

Love & Sex: The Hate Dates

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By Byron Flitsch

My friends call it “Hate Date ‘08” because the year I ended a long-term relationship with my boyfriend was the same year I decided to go on the worst dates of my life.

“You should just…just get back out there!” my friend Miles says when he buys me my third beer at this hole-in-the-wall joint in Wicker Park. Miles always knows a good hole-in-the-wall (which should have been a sign not to listen to his advice). “I date as much as possible!”

“But shouldn’t I, you know, try to just chill on my own?” I ask Miles swigging my Stella. A Cyndi Lauper song beats in the background.

“Dude. Just have fun. You’re a writer! Think of the stories you could get!”

That week I call Aaron. We’d met at a party a few weeks after my breakup. There was total flirting and he’d asked if he could take me out.

The date is at a pub in Lincoln Park when he shows up with another attractive guy. I hadn’t known it was going to be a “group thing,” but it is my first date after four years in a relationship. I am confused, but remain open and optimistic.

“Hey, Byron, this is Max.” Aaron says to me while pulling out a chair.

Max smiles and sits down.

“So, hey, nice to meet you. How…how do you know Aaron?” I ask, looking through the menu for wine choices.

“He’s my boyfriend,” Max says with a tempered glare.

That June, I decide to go out with Dan, an actor. He had taken me to an expensive Indian place in the West Loop. After loads of drinks and dinner, the tab arrives. He slips the check into his hand and says: “It’s on me!” It was over 200 dollars and I wasn’t going to argue.

“I’m just going to run to the restroom quick,” Dan says.

Dan never comes back.

Dan number two (You’d think I’d learn from Dan One) seemed like a great dude. He had a job at an advertising firm. He had a sense of humor. He also had a lot of gas. He also didn’t mind sharing that gas while in the cab, in the movie theater and while I said goodbye to him faking an early morning meeting the next day.

Ryan is cool in the sense that he meets me at the bar high as a kite and barely able to walk while calling me “Brad.”

Then there is Adam. He is hot. He is polite. He is also a thief.

“Wait… what are you doing?” I ask, watching him put a Speedstick in his coat pocket at a convenience store we stopped at for cigarettes.

“What? I need deodorant…no one cares. Why? Does this bother you?”

I leave, telling him I’m not going to jail just so his pits could smell good.

In life, most people learn after touching something hot once that they will get burned and not to do it again. But some of us, apparently, have higher pain tolerances. Finally, after five consecutive bad dates, I decided to go on a date with someone I didn’t know very well, but wanted to—myself.

Love & Sex: Homewrecker

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By Jessica Meyer

He was in Chicago for Christmas; he lives in L.A. His brother thought we’d get along, never mind that the only night we could coordinate, I was sick and blissed-out on cold-med quaaludes and anti-anxiety pills, already relegated to movies on the couch by myself. Never mind that he had a girlfriend.

Have you ever met someone you knew would be significant? Ever met someone you want to stand so close to it’s never close enough?

We drank bourbon in a loud bar, he talked a lot, we hit it off. It started snowing. I was oblivious, chatty, staring down, and he kissed me like we were in a movie, in the street, in the snow.

“Do you want to come over to my place?”

This man took off four layers of clothes, bra through sweater, with two fingers, in five seconds. And then the fucking. The sex. The all of it. “You can’t leave this apartment until you come in my mouth.” Fucking him the first time was like being in love. Fucking him the second time transcended even that. We couldn’t stop. I made pierogi from scratch for him, just to keep him as long as I could. It felt like our bodies were teaching us a lesson. He was in town for six nights. He stayed with me for three. We never slept, and he almost missed the plane.

So, I pined. We pined. He vacillated—stay safe with her, suss this one out with me—and I hated him a little. His presence in my life was so much defined by how I felt when he was gone, how disproportionate the strength of that feeling was to the time we’d had together. I flew to L.A. We fucked four straight days. I wanted his dick in every part of my body. We hurt, and we did it again.  I didn’t ask what he told his girlfriend, but we played house and ate cheese and watched movies half-naked and he showed me California. It felt like love. It felt like I was in a movie. It felt like I was overreacting.

Returning to Chicago was bleak, subdued, cold. Every poem I read was him, overhearing the boring sex of my neighbors made me scoff—why are they able to do this so poorly and so often? Why, when we fucked so loudly, with such fervor, we got threatened with police? I’ve been shaken up before. Sex with anyone should be a tremendous memory at least, but this was different, this was like remembering your first orgasm, your best dream.

And why is he not here? Or better still, why am I not there? We made decisions, big, weighty ones. We’ve displeased a handful of people. We talk every day and send smutty photos and go through a lot of yearning. And it’s worth it, because even thinking about him is gratifying, even remembering the completely mundane bits.

He didn’t break up with his girlfriend for me, except he did.

I’m not moving to L.A. next month for him, but I am.

Love & Sex: From the Waist Down

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Photo by Evan Sears

Photo by Evan Sears

By Sally Field

I abandoned the boyfriend in the streets of Orlando, two hours away from our home in Gainesville. He poured beer in my purse, drowning my cell phone. He yelled at me in front of long-lost friends. He clung to pillars supporting gargoyles while he spat at invisible sharks in a goth club. He ham-fistedly shot me the bird while I drove away, slamming on the break to snap photos of his frustration. I condemned him to a Greyhound-station slumber party with a vagrant who taught him that manhole covers were nature’s pancakes.

My friends didn’t know how pathetic I was, that when the boyfriend would hear me knocking at his door and ignore me, I would whimper and throw acorns at his bedroom window. They didn’t know he often wished out loud that I was thinner than his ex-wife, whose father was our snoopy mailman who clearly broke many federal laws. They didn’t know that I called hospitals and jails frantically when he went missing for days on a secret “rendezvous.” The boyfriend and I lived in gray areas.

The Parliament House is an expansive gay resort including six nightclubs and bars, one full-service restaurant, a pool, a beach and a motel, among other amenities. It also included room 110, a very important hotel room, a hotel room for me.

I made friends with the drag queens with peacock eyes and they introduced me to their friend Juan. Juan was a Chippendale dancer, until a motorcycle accident left him paralyzed from the waist down. He was beautiful and buff, and the lingering adrenaline buzz left over from leaving the boyfriend in the streets only intensified his attractiveness. Several vodka tonics later, I hopped off Juan’s lap, and we left the queens in the club. He drove his car with his mouth and hands, limiting all conversation to stoplight length. He gave me a tour of his house, a desolate gray-tiled mansion with tiled wheelchair ramps, a huge-screen TV and a pool he couldn’t use.

I asked Juan how his penis worked. He said it sort of worked. He could get hard, but that was it. He couldn’t feel it. He was one vertebrae away from an orgasm. So I did what I could. A wheelchair is ripe territory for experimentation. Then we had a 4am root-beer float and breakfast sandwiches at Steak ‘n’ Shake.

Juan dropped me off at the gay resort to weep through “Sixteen Candles,” which I had never seen, though I told people otherwise many times. Room 110 was a surprisingly generic room. I did not expect a corner-mounted black-and-white television set. I certainly did not expect a sun-bleached, pastel beach print over the bed. I expected a little more style.
It was a long drive home.

When the boyfriend finally arrived, I had plastered his front door with photographs of him standing in the street giving me the finger as I drove away in my bedraggled Volvo. We lived in a duplex, he on top, me on ground level. I moved out that week, leaving him with a hippie subletter to whom I had bequeathed all of my furniture. I left behind my piano, my desk and my hunting-lodge-style itchy sofa.