By Harrison Smith
To design buildings, says Tim Samuelson, you have to be able to see things as one great complicated whole, “to think as one creative act.” The great ones, architects like Chicago’s own Louis Sullivan and Frank Lloyd Wright, were able to “imbue part of themselves” in their work, to design buildings that functioned as both useful spaces, as homes or auditoriums, and as works of art, objects that could move a person as much as a line of poetry or a beautiful painting. Sullivan had a concise way of expressing this point, writing in 1896 that “form ever follows function,” a quote that has long been misinterpreted to mean that form is secondary to function.
“What it really means,” says Tim, “is that the two work harmoniously together.” From this idea, architecture is “like creating poetry. Form follows function, as Sullivan intended it, is pure, beautiful, creative poetry. All the parts harmoniously and beautifully relate together. They stir the emotions.”
Tim Samuelson, no architect, says he was never able to imagine buildings this way, to see a building in his mind’s eye before any foundation had been laid and construction had begun. When he sees a great building, however—the Auditorium Building on Michigan and Congress, or the old Federal Building on Dearborn and Jackson—he is struck; he is in rapture; he is in love.
Samuelson has been the city’s cultural historian for the past ten years, functioning as a one-man office of the Department of Cultural Affairs. His job is that of a spokesperson, consultant, historian and storyteller, a wide-ranging position that requires him “to tell the spirit and the history of Chicago” through exhibits, public programs, and collaboration with other cultural institutions, museums, and governmental agencies. Read the rest of this entry »